British Painter, 1744-1817 English painter and engraver. From 1765 to 1771 Hearne studied printmaking as apprentice to the landscape engraver William Woollett, exhibiting watercolours meanwhile at the Free Society of Artists and the Society of Artists. In 1771 he abandoned engraving and accompanied Sir Ralph Payne to the Leeward Islands (where Payne had just been appointed Governor), returning in 1775; several of his fastidious watercolours of Antigua survive, for example the Court House and Guard House in the Town of St John's in the Island of Antigua (n.d.; London, V&A). From then on British topography was his main concern. He travelled widely in England, Scotland and Wales with Sir George Beaumont and from these excursions was able to provide 84 drawings which, engraved by William Byrne, were published as The Antiquities of Great Britain (1778-81). This series set new standards in the pictorial recording of medieval architecture. Hearne also provided drawings for etchings of landscapes and 'rural sports'.   Related Paintings of Thomas Hearne :. | Marquise de Roug with Her Sons Alexis and Adrien | Portrait of the King Charles X of France in his coronation robes | Haystacks at Chailly at Sunrise | st.francis in ecstasy | Saint Augustin |
Related Artists:
Ulrich apt the Elder
Augsburg 1455/60-1532
LAWRENCE, Sir Thomas
English painter (b. 1769, Bristol, d. 1830, London). Thomas Lawrence was born in Bristol on May 4, 1769. At Devizes, where his father was landlord of the Black Bear Inn, Thomas's talents first became known. Fanny Burney, a prodigy herself, reports that in 1780 Sir Joshua Reynolds had already pronounced Lawrence the most promising genius he had ever met. When Thomas was 10, his father moved the family to Oxford and then to Bath to take advantage of the portrait skill of his son. At the age of 17 Lawrence began to paint in oil, all his previous work having been in pastel. In 1787 the family moved to London, and by 1789 he was challenging Reynolds. When Reynolds died in 1792, Lawrence was appointed to the lucrative post of painter in ordinary to the king. He soon became the foremost portrait painter in England, a position he maintained until his death. His portraits of women are models of beauty and elegance, whether the sitter be a tragic actress like Mrs. Siddons, a social figure like the Princess de Lieven, or a personal friend. At the close of the Napoleonic Wars, Lawrence was knighted and commissioned to paint the leading sovereigns and statesmen of Europe. When he returned to England in 1820, he was elected president of the Royal Academy; he handled the affairs of his office with tact and urbanity. He died on Jan. 7, 1830. Following the English masters of the 18th century, Reynolds, Thomas Gainsborough, and George Romney, Lawrence carried on the great tradition of society portraiture and raised it to new heights of dash and elegance, though not of psychological penetration. He was by no means an artist of the astonishing insight of Gainsborough, and he did not have the occasionally disconcerting originality of Reynolds. Lawrence had their faults: all were affected by the distorting demands of their fashionable clientele, and all succumbed to them. He had the least to say, and he reflected his sitters' own best views of themselves, yet even they must sometimes have been surprised at their own magnificence. Handsome his portraits undoubtedly are; all the women are strikingly beautiful, the men brave and distinguished. Lawrence enjoyed his great success. He lived for his work, never married, and was a prodigious worker. He was of an exceptionally generous nature, as an artist and as a man, with a rare talent for appreciating and encouraging the talents of others. He was an ardent collector of Old Master drawings; his collection, which was dispersed after his death,
Columbano Bordalo Pinheiro
(Lisbon, 21 November 1857 - Lisbon, 6 November 1929), who is usually referred to as Columbano, was a Portuguese Realist painter. Usually considered the greatest Portuguese painter of the 19th century, he has been compared to the likes of Wilhelm Leibl and Thomas Eakins. Columbano was the son of a mediocre romantic painter, Manuel Maria Bordalo Pinheiro, and the younger brother of the great caricaturist, Rafael Bordalo Pinheiro. He became the leading painter of his generation and the master of realism in Portuguese painting, specializing in portraiture. He was disciple of his father, of the painter Miguel Ângelo Lupi and the sculptor Simões de Almeida. After attempting twice for a bursar to study abroad finally in 1881 the countess of Edla, second wife of D.Fernando would finance his study in France. There he studied the work of French naturalist, realist and impressionist painters, like Courbet, Manet and Degas without losing his distinctive style which is often gloomy and intimist. He joined the "Grupo do Leão" (The Lion's Group), a usual meeting of artists, writers and intellectuals in a Lisbon downtown restaurant called "Leão de Ouro" (The Golden Lion) in order to discuss aesthetic issues and proclaim Naturalism against the academic art of the time. The group also included Rafael Bordalo Pinheiro, Antenio da Silva Porto, Marques de Oliveira and Jose Malhoa. He painted portraits of some of the greatest names of Portuguese society and culture of his time like Jose Maria de Eça de Queiroz, Teefilo Braga, Raul Brandão and had great psychological accuracy in defining the personality of those depicted. His most famous portrait was that of the poet Antero de Quental in 1889. In this haunting work Columbano seems to have anticipated Antero's suicide. Columbano was a well known Republican, so it wasn't surprising that after the Republic proclamation, in 1910, he was invited to design the flag of the new regime and was nominated director of the National Museum of Contemporary Art, currently the Chiado Museum, in Lisbon, of which he was in charge from 1914 to 1927. The best collection of his paintings is in the Chiado Museum, in Lisbon. He's also represented in some of the finest Portuguese museums, like the National Museum Soares dos Reis, in Porto.